Saturday, November 10, 2001

Speaking of the muse,



and of great artists, my friend Laura Hohlwein recently opened her online gallery. From a review by William Zimmer, contributing art critic for the New York Times:

"Hohlwein’s true and abiding subject is light, and she invokes it literally. In the past she constructed light-boxes dependent on electric light. Her new works rely on the effects of natural light. She now paints often on Lexan, the proprietary name for a very sturdy plexiglas. Because these compositions are painted on the back of sheets of Lexan, they appear to the viewer in reverse, but more importantly, her glassy and highly reflective matrixes mean that her imagery appears to float or be suspended, rather than firmly fixed. She often makes double-layered paintings, where the force of her new way of working is enhanced by pairing a composition on Lexan, serving as the front layer, with an under layer visible at the back of a thick frame. Similarly, in her large abstractions on canvas, one peers through layers of paint into a space that seems to be in flux and thereby suggests a larger space moving outside the confines of the canvas."


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